designing process
Classification:
summary description]
Multi-point lighting and three-dimensional lighting are used at the same time to meet the lighting needs of different performances on the stage. Surface lighting, top lighting, side lighting, backlighting, slap lighting, and flowing light are set.
designing process
light
Multi-point lighting and three-dimensional lighting are used at the same time to meet the lighting needs of different performances on the stage. Surface lighting, top lighting, side lighting, backlighting, slap lighting, and flowing light are set.
1. Make two stage face lights directly in front of the stage, which are used as the main lights of the stage. The face lights are mainly used to meet the characters' needs to face the light and highlight the character's expressions, and more vividly outline the performance characteristics of the actors. Because the surface light is far away from the stage, the surface light uses 16 2KW spotlights and 20 2KW return lights produced by our factory; the spotlight has a long projection distance and strong light; the return light has a wide projection angle and a large spot suitable for large-area shops. The light improves the stage illuminance; and a surface light color changer is installed to change the color of the light to highlight the stage plot scene.
2. Make two overhead lights above the stage to illuminate the top of the characters and part of the scenery. 12 sets of 2KW spotlights and 12 sets of 2KW soft lights are used. The spotlight lighting effect is strong to highlight the characteristics of people and objects; the soft light lighting softly restores the essential colors of people and objects; at the same time, coupled with the application of grouping changes in the dimming table, different lighting effects can be produced.
3. The side lights are located on both sides of the stage and are used to depict and suppress the shadow areas of the left and right outlines of people and objects. 6 2KW spotlights and 6 2KW return lights are selected. Use the strong spot of the spotlight and the return light to make the outline more prominent and more delicate.
4. Two backlights are set behind the top light. A total of 24 1KW PAR beam lights (bottle lights) and 8 2KW return lights are selected to use their strong light to highlight the overall contours of people and objects.
5. In order to make up for the dark side caused by the lack of surface light, top light, side light and backlighting to the contours of characters and objects, and to improve the clarity, slap and flowing light are set on the stage. The distance between the slap and the stage is long. 6 2KW spotlights and 6 2KW return lights are selected for about; 8 2KW return lights are used for mobile light, equipped with mobile brackets to be placed on the left and right sides of the stage to supplement the lighting of each light. In place.
6. In order to reproduce the real stage performance, stage background lights are set up, and 8 sets of 1250W sky curtain lights and 8 sets of 1250W ground row lights are selected to achieve a uniform background lighting effect.
7. In order to avoid dull and unremarkable stage performances, some lamps are equipped with professional color changers, and the timely use of dimming console grouping will make the performance achieve the remarkable effect of both reality and fantasy.
The above lighting system configuration refers to the relevant national industry standards such as JGJ57-2000, GB/14076-93, GYJ45-92, GBTXXX, and GB500116-98.
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